Ed Forbes is a jazz drummer and educator based in Salisbury, UK.
Having been drumming for over thirty years he's not quite old enough to have been around in the 1950s but discovered bebop and the drumming of Art Blakey at an early age and has been jazzing it ever since.
Following on from the tradition and inheriting the gene from his grandfather who was a drum major in a Scottish pipe band, he acquired his rudiments from pipe band drumming and subsequently took lessons from acclaimed Scots percussionist and drummer, Andrew Shivas.
Early performing and recording work started with a school band that reached the then TSB Rockschool competition finals as well as some session work with a post punk band. However a lasting obsession with jazz soon took hold and while at university he became heavily immersed in the 1990s London jazz scene. During the 90s he gigged and toured with a jazz quartet and then continued to perform ad hoc gigs by night while focusing on the distraction that was a day job.
Having trained as a lawyer and journalist he spent the late 1990s and noughties working in television as a correspondent and producer before moving back to the legal world specialising in media & entertainment law and intellectual property law.
In 2014 he took the decision to return to what he was put on this earth to do namely, jazz drumming and drum practice. He has subsequently become involved in several drumming and music-related ventures, including workshops for schools and tuition.
His drumming style is, as that of those who inspire him, individualistic and heavily influenced by Art Blakey, who along with fellow jazz giants, Max Roach, Elvin Jones & Tony Williams, forged the free and experimental approach that propelled jazz drumming through the 1950s and 1960s to cement the influence and relevance it has today. While firmly rooted in jazz his repertoire does take in funk, breakbeat and hip hop influences and has, on occasion, been persuaded to play pop. His skills as a player are founded on an ability to listen as much as play, giving space to the other instruments and the music, phrasing, improvising and getting deep down into the groove.
tuition & workshops
Inspired by the workshops I'd put on in schools and the enthusiasm for and interest in drums shown by students and incensed by the systemic withdrawal of music tuition and support for music and the arts in the UK education system, I set up and started offering drum tuition in 2014. SInce then I have been helping guide students of all ages (currently from 5 through to 65) and abilities on their drum journey. I offer individual tuition, school tuition and workshops as well as general and bespoke workshops to introduce people to the joy of dumming as well as using drumming for teambuilding and motivational purposes.
See further details below or use the contact form or call 07584 127500.
individual drum tuition
My approach to tuition is to encourage, inspire and enable.
Whether absolute beginner or experienced, my focus is on the enthusiasm for and enjoyment of the instrument and the music.
Often beginners can be put off or intimidated by highly technical drummers who overplay or the prospect of having to read (what appears to be complex) drum music notation. Drums are one of the most exciting instruments and I hope to share my passion for them with those who want to learn. My lessons are all structured but anything can happen, it's about the student learning to play rather than me forcing a teaching style on them.
I am a strong believer in drum rudiments so whatever style or music or drumming you are interested in I will help ensure you get to grips with the rolls, flams, shuffles and paradiddles that are the backbone of any drummer's ability to play.
I am pleased to be accredited as part of the Drumsense teaching programme which provides an underpinning to my lessons through accompanying books and DVDs. You can access my Drumsense page here.
I am fully DBS checked and safeguarding trained.
school tuition and workshops
Music in general and drumming in particular is something to be shared and enjoyed. As one of Art Blakey's famed quotes goes, "it washes away the dust of everyday life".
I offer in-school tuition (either group or individual) as well as workshops based around drumming and exploring rhythms and the drum set such as:
School workshops - introduction to drums and drumming
Drum club - after school drumming just for fun
I am a member of the D'ADDARIO EDUCATION COLLECTIVE, a global community of music educators who are committed to inspiring the next generation of lifelong musicians.
I offer and run workshops for all ages based around drumming such as:
Introduction to drums and drumming - an interactive fun session exploring the history of the drum and rhythm
Holiday workshops - half-day or full-day sessions exploring drums and how to play them
Jazz drum workshop - zip up and be prepared for me being an 'anorak' as we learn about jazz and jazz drumming
Team building and motivation through drumming
"Without Ed Forbes we never would have known that our son Gio had a talent for playing drums. This comes in great part due to Ed's unique approach in tutoring, making learning to play the drums easier and more importantly, a lot of fun to do. We would definitely recommend Ed to anyone wanting to learn drum playing in an unconventional way."
Roel & Mary G, Salisbury
"I sent my son to try out a lesson with Ed as he'd been having drum lessons for nearly two years and didn't seem to be enjoying them or making much progress. The infectuous enthusiasm and motivation Ed provided totally transformed my son's view of drumming and six months on he now describes himself as a drummer and can't wait for lessons."
Peter G, Salisbury.
"My ten-year-old son has been learning drums with Ed for just over two years now in which time we have seen his musical ability rocket and he has amazed us with his sense of rhythm. His love of music has grown and he now listens and sings along to a much wider variety of music. He always enjoys his lessons and I put this down to Ed's patience and enthusiasm. Ed is very approachable and flexible when it comes to tailoring lessons to suit each child."
Christine S, Salisbury
"I like drum lessons because Mr Forbes makes them really fun and you can let out a lot of stress. For example after I had taken my 11+ exam I went and had a lesson and it was the best drum lesson I have ever had because it helped me to let off steam. Mr Forbes also lets you choose the songs you like and teaches you to drum along to them which is really cool!"
James C, age 10
4OUR JAZZ QUARTET
Hoffman & Forbes
blending live mixed drum'n'bass with improvised acoustic jazz drumming
founding member and director of Life Rocks, a not-for-profit community organisation created to source & raise funding to facilitate the provision of services for the benefit of young people in the community. Dedicated to providing services that support & inspire young people & recognise & respect the role tomorrow’s generation plays in shaping a better future today. Our mission is to provide free sustainable music based youth services for everyone & plug the gap that public sector cuts have left in our community based services. To that end, together with local youth music providers, The Sound Emporium, we managed to secure the use of and transform a disused nuclear bunker into a youth music facility with multiple rehearsal rooms and performance space.
THE DRUM CENTRE
an exciting new project to create a dedicated tuition, rehearsal and recording space by drummers, for drummers.
Art Blakey and the Jazz Messengers, Queens Hall, Edinburgh, 16 August 1987
Art Blakey, my inspiration and guiding light through my drumming and jazz journey.
I discovered his drumming on a dark and lonely night in my early teens when I suffered badly from insomnia and used to listen to radio through the night. I can't remember the radio station but the aptly named 'So Tired' from the 1960 Night in Tunisia album recording brought jazz into my life and direction to my drumming.
While I also soaked up, admired and was influenced by other jazz drumming greats such as Max Roach, Elvin Jones, Tony Williams, Gene Krupa and of course Buddy Rich (whose speed and technical ability quite frankly scared me and still does!) it was Blakey's drumming and understated philosophy that spoke to me. I was fortunate enough to see him lots of times in the 1980s at Ronnie Scotts in London and also on 16 August 1987 at the Queen's Hall in Edinburgh, where I was able to meet him and take the photograph above (no selfies in those days! this was taken on good old Ilford XP1 camera roll)
Having spent countless hours listening to every Blakey and Jazz Messengers recordings I could lay my hands on and trying to chart the drum patterns for my favourite tracks, I will never match his playing but am deeply grateful for its inspiration and influence on my drumming and life. Those familiar with Blakey and my playing will make the connection.
Moving forward in time and there are so many amazing players and influences out there it is a delight to know that jazz drumming and drumming in general is in good shape and well served by some amazingly talented musicians. It would take up too much room to list out all but here's a selection of some of my favourites: Tony Allen (the master of Afrobeat who has recently released a tribute album to Art Blakey as well as his latest album, The Source), Kimberly Thompson (an amazing artist and multi-instumentalist who - as if her jazz playing were not enough - toured as drummer with Beyonce. Her recent album Treasures Abound is beautifully put together), Nate Smith (groovemeister whose intricate hihat and snare interplay we all aspire to and whose recent Kinfolk album is personal, engaging and groovy), Mark Guiliana (highly gifted and the rhythm section behind David Bowie's final Black Star opus and has released a number of albums but his most recent Jersey album stands out), JoJoMayer (phenomenal technician and experimenter of drums who can nail Buddy Rich like big band drumming on one side but is probably best known for reclaiming acoustic drums back from the drum machine to produce pulsating beats with his band Nerve), Manu Katche (understated and wonderfully musical drummer who held the drum seat for Peter Gabriel and Sting among many others and has recently been touring his new Unstatic album), then we have the undisputed big hitters of the drumming and jazz drumming world such as Vinnie Colaiuta, SheilaE, Cindy Blackman Santana, Terri Lyne Carrington, Steve Gadd, Dave Weckl, Brian Blade, Omar Hakim...and for the other 4oo or so I have missed check out the list on drummerworld.com
Meeting up with Manu Katche at Ronnie Scotts, London, January 2017, during his Unstatic album tour
To enquire about bookings, drum tuition or workshops
please fill out the form below or call 07584 127500 and we'll get back to you!
Old Fire Station
Tel: 07584 127500
sounds & pics